I chose to begin my reading at the beginning to gain a
better understand of Leonardo’s family and early childhood years. I read pages 17-47. Initially, I was confused
by the name ‘Da Vinci.’ This is their family name but they are also of Vinci,
Italy. Is Piero specifically affiliated by name with the town of Vinci? Why do
they carry a last name that translates to “of Vinci” (Da Vinci) and no one else
in the town does?
Leonardo is an illegitimate child, but I was surprised that
Piero left nothing in his will for Leonardo. “It may be well true that Piero
was an absent, busy and not very caring father. It is certainly true that he
left nothing to Leonardo in his will” (pg 25). Leonardo received the entire
estate of his Uncle. I am sure though Piero had a love affair and attraction with
Caterina rather than nonconsensual sex. Leonardo had written “The man who has
intercourse aggressively and uneasily will produce children who are irritable
and untrustworthy: but if the intercourse is done with great love and desire on
both sides, then the child will be of great intellect, and witty, lively and
lovable. The idea is traditional” (pg 27). It still seems strange Piero would
leave nothing for Leonardo after his connection with Caterina.
The chapters following dive deep in the issue of the Kite. I
was wondering why such elaboration on the memory of the kite bird entering
Leonardo’s mouth as a baby (starting on page 30). It was revealed later as a
symbol of his destiny. The kite fueled his interest in human flight and
anatomy. The bird in a sense becomes cross-referenced into his later paintings
and works.
Another interest I found was on pages 41-42. Leonardo became
involved in wickerwork and he designed his own logo. The fascination of weaving
designs was implemented in the dress of Mona Lisa and Lady with an Ermine. Also
the braids of hair incorporate these design elements.
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